Tuesday, March 07, 2006

Ultraviolet

Official Ultraviolet Site
Action/Sci-Fi/Thriller
Starring:Milla Jovovich, Cameron Bright
Rated PG-13 (for language, violence and partial nudity images)
Running Time: 88 Minutes
Released
:February 24, 2006


1 Out Of 5 Bites

When a Hollywood film isn't screened for big-boy critics, said film must be aware of an irretractably detrimental fact: the whole thing is woefully awful, but you're committed, you've done it and you might as well get it over with....just roll with it.

It opens with comic book depictions of Ultraviolet (a la The Incredible Hulk) , intending to assert the movie sprung from a comic book series. If someone can find such a series, I will be able to sleep better at night. Under such pretenses, the movie can't really prop itself up on anything else remotely original. The premise of the movie seems to be scalped from 1999's Gloria with Sharon Stone (Sidney Lumet's remake of the original).

Action sequences wax of a poor man's Matrix, sprinkled with an unsavory dose of just plain bad CGI effects. Or was it? Director Kurt Wimmer employs artistic effects that hearken back to "Heavy Metal" meets "Tron" meets "The Matrix" meets every other pastelly, slow-mo, stop-action sequence that's been done. I kept holding out judgment in some of the really cartoonish car chase scenes early on, consigning the obscene fakeness to some artistic, Japanimation-ish endeavor. Now I'm not so sure. There was a disctinctly modified coloration effect added to the characters and the scenery that ultimately did not cater to the ethos and atmosphere of the film as was perhaps originally intended.

Violet, (Milla Jovovich), is the default, red-hot, kick-your-rump to oblivion sci-fi chick of the era (thanks to The Fifth Element and the Resident Evil series). She's ULTRAViolet because she can slither into skimpy, tummy-revealing costumes will try to make you love it while she's slicing you in half. Her voice over intro in the opening scenes tellingly warns, "you may not understand the world I was born into." You may still not, even upon rising to your feet and exiting the theater.

This world revolves around a war over blood, a certain kind of blood that has been transforming more and more people into an underground race called hemophages (literally, blood eaters). So what you really have is a bunch of superhuman vampires performing insane feats. Add to that a vigorous government program to eradicate the hemophages because of the challenge they impose upon their own agenda, which includes a super-duper weapon encased in a container that actually houses a nine-year-old boy named Six (Cameron Bright, who's showing up quite a bit this movie season).

Through some requisite hijinks, rock-'em, sock-'em broils and battles, Violet endears herself to the boy, protective of him in multiple threatening situations. It turns out the Six is a duplicate- a clone- with a short span to live.

The battle with the boss is rather anti-climactic at the end and could have been more. Too bad this thin excuse for a film doesn't register visually on the actual ultraviolet wavelength so that none of us would have to see it.

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Thursday, March 02, 2006

My Picks

CINE-BITES PICKS 'EM



Sunday Night, March 5th, ABC

BEST PICTURE


Winner: BROKEBACK MOUNTAIN

The Hollywood demiurges have decreed it

Who Should Win: CINDERELLA MAN or even THE CONSTANT GARDENER
But neither were nominated, so GOOD NIGHT AND GOOD LUCK should for its sheer concise depiction of a fear-scape endured by this country long ago that casts an interpretive light into our present culture and the dead-on performance of David Straithairn as Edward R. Murrow.

BEST ACTOR


Winner: PHILIP SEYMOUR HOFFMAN

He does a good Capote and he is a fine actor and may get the notice because Heath Ledger would probably line up the nod if it weren't for all the other attention Brokeback is getting.

Who Should Win: JOAQUIN PHOENIX or DAVID STRAITHAIRN

Phoenix nailed Cash and sang his stuff on film. Straithairn, as mentioned, was straight-on with Murrow.

BEST ACTRESS


Winner: JUDY DENCH

It doesn't matter what the woman is in, the Academy loves her.

Who Should Win: REESE WITHERSPOON

She was solid in Walk the Line, performing musically as well.

BEST SUPPORTING ACTOR


Winner: PAUL GIAMATTI

Maybe because he was overlooked for Sideways in 2004.

Who Should Win: PAUL GIAMATTI

BEST SUPPORTING ACTRESS


Winner: MICHELLE WILLIAMS

Because she was in Brokeback Mountain, although her performance was decent enough.

Who Should Win: MICHELLE WILLIAMS

...but just barely.

BEST DIRECTOR


Winner: ANG LEE

Brokeback will break the bank in takeaways this year.

Who Should Win: PAUL HAGGIS or GEORGE CLOONEY

Haggis had to balance a frenzy of subplots and weave them into something meaningful with Crash. Clooney's Good Night and Good Luck wasn't a Clooney-fest and moved clearly with intention.

BEST SCREENPLAY, DIRECTLY FOR SCREEN


Winner: PAUL HAGGIS, ROBERT MORESCO for CRASH

Good character development that maintains interest.

Who Should Win: PAUL HAGGIS, ROBERT MORESCO

BEST SCREENPLAY, PREVIOUS MATERIAL


Winner: BROKEBACK MOUNTAIN by LARRY MCMURTRY, DIANA OSSANA

Gotta climb the mountain this year to win anything.

Who Should Win: MUNICH

The character progression is too compelling to miss out.

BEST CINEMATOGRAPHY


Winner: BROKEBACK MOUNTAIN by RODRIGO PRIETO

Cinematography is exquisite at times, but this is the year of the mountain.

Who Should Win: Probably BROKEBACK MOUNTAIN or THE NEW WORLD

EDITING


Winner: CRASH: HUGHES WINBORNE

Again, Crash was a masterful weave of several compelling subplots.

Who Should Win: Tough Call: Between CRASH and WALK THE LINE, but CRASH wins out.

ART DIRECTION


Winner: MEMOIRS OF A GEISHA: JOHN MYHRE and GRETCHEN RAU

The exotic locale and exquisite detail to the location and inhabiting characters makes this a shoe-in.

Who Should Win: MEMOIRS OF A GEISHA

BEST COSTUME DESIGN


Winner: MEMOIRS OF A GEISHA

The perfect project for costume design.

Who Should Win: MEMOIRS OF A GEISHA

BEST ORIGINAL MOTION PICTURE SCORE


Winner: BROKEBACK MOUNTAIN

Catchy riffs and pineful melodies saturate a heavy melodrama.

Who Should Win: Probably BROKEBACK MOUNTAIN

BEST ORIGINAL SONG


Winner: DOLLY PARTON, "TRAVELIN THRU" TRANSAMERICA

Probably a sentimental favorite and an acknowledgement to the only trans-gender flick amongst Oscar's year for alternative lifestyles.

Who Should Win: CRASH, MICHAEL BECKER, KATHLEEN YORK, "IN THE DEEP"

BEST MAKEUP


Winner: THE CHRONICLES OF NARNIA

A challenging wide range of critters to bring to life.

Who Should Win: Probably CHRONICLES, but close call with STAR WARS: EPISODE THREE

BEST SOUND


Winner: WAR OF THE WORLDS

Fantastic soundscapes, but since it'll be nixed for Special Effects by KONG, this will be the consolation, though KONG might clean up here too.

Who Should Win: WAR OF THE WORLDS

BEST SOUND EDITING


Winner: WAR OF THE WOLRDS

Lots of slices, cuts in challenging on-screen scenarios create a fantastic, other-worldly alien nightmare.

Who Should Win: WAR OF THE WORLDS

BEST VISUAL EFFECTS


Winner: KING KONG

Utilizing the same cutting edge techiniques in bringing Gollum alive in the Lord of the Rings trilogy, an ape will bring home the gold, but only by the slimmest of margins over WAR OF THE WORLDS.

Who Should Win: Probably KONG, but could easily be WAR OF THE WORLDS

BEST ANIMATED FEATURE FILM


Winner: HAURU NO UGOKU SHIRO

We've seen CORPSE BRIDE's stuff before.

Who Should Win: Don't really know.

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